In case you were wondering, "End of the Line" is still sitting on the desk of a prominent editor, who has been dithering since January over whether to include it in a prestigious and well-paying new market. Their interest has been consistent but uncommitted; my story has run the gauntlet of first-readers and other underlings and is now camped out on the editor's desk, hoping they'll have time, space and money to buy it. They're hanging onto it, but they tell me they are hopelessly overbought and won't be ready to make a decision on EOTL until October or so.
Ergo I'm pretty much stuck, unable to submit it anywhere else while they've still got it. And they know they've got me stuck because of the damnable length of the thing (very few markets will take anything that long) and because nobody else pays as much as they do.
Just to demonstrate how conditioned we writers become to abuse, my primary response is gratitude: at least this editor keeps me informed on submission status. If I were actually writing/submitting/marketing right now I might be more annoyed, but for now I only shake my head and keep listening to Goth rock. There's more than enough crap in my personal life right now to keep me distracted, and maybe some of my competitors, with more self-respect or better prospects, will get tired of the wait and drop out. It'd sure be a nice paycheck at the end of the year.