Writing is work, despite and still. No matter how good the buzz when it's going, no matter how strong the sense of pride when I finish something really cool, there's often a tremendous amount of inertia to overcome when I first sit down to start writing--or when I'm trying to force my butt into the chair so I can start writing. There are exceptions, of course, like when I get a really clear pivotal scene in mind, and then it becomes a matter of can't-get-to-the-keyboard fast enough.
But at the moment I'm kind of stuck on a couple of things. "Horseflesh" needs a couple of scenes in the middle ripped apart and knit together, and the same thing done with a couple of scenes at the end, and it's harder than hell for me to take apart a story that's already basically done and tinker with the structural underpinnings.
At least I have a pretty good idea what needs to be done, there. Curious Weather is, in some ways, in worse shape because I have all these cool intense scenes I want to get to at the end, and only a shaky idea how I'm going to construct a plot around them. Don't dare start on that until I know, because see above re: tearing out structural underpinnings after the veneer is already on.
I've been compulsively checking to my email and my usual round of blogs, almost hourly, the last couple of days. It's a procrastination technique, of course--I tell myself I'm looking for distraction, but I think in reality I'm hoping to find a mysterious piece of email from an anonymous benefactor, which will contain the missing connective bits of story, which I can then cut and paste into place and have to do nothing more strenuous than the editing.