"A sort of multiple mashup set in late Victorian London, where monsters roam the streets. Lily, as the title suggests, is one of the vivisectionist Moreau’s creations, now an assassin who comes to London when she learns of a serial killer who may have been vivisecting the city’s prostitutes. The man who calls himself Jack Nemo is obsessed with carrying out the Maker’s Law, within limits. “To hunt other Men was in strict violation of the Law. But the Maker had made clear that females were expendable.”
"The piece is mostly taking advantage of the opportunity to gather these characters on the same stage, as they could have been in history, if they were all historical characters rather than fictional. The author arranges one more meeting for Lily, in order to double down on the question: Just what makes a monster? The last line strikes me as ironic in its implied condescension to Lily."
Friday, November 29, 2013
Moreau's Daughter review in Locus Online
Locus Online has a tiny, noncommittal review of Moreau's Daughter: